- Giovanna ManzottiAndante Con MotoLiliana Moro at PAC Padiglione d’Arte Contemporanea in Milan
- Ramona PonziniThe Sound of WaterYuko Mohri and the Reconfiguration of Liquidity in “Compose”
- Johanna HardtThe Machine MonologsEli Cortiñas at Fotografiska in Berlin
- Nina Sun Eidsheim“It’s Intimate, and It’s Not Mine…”Talking About Sound with Camille Norment
- Bernardo Follini, Diana AnselmoAudism and the Origins of CinemaConversation between Bernardo Follini and Diana Anselmo
- Alex Borkowski Vocal Aesthetics, AI ImaginariesReconfiguring Smart Interfaces
- Giulia DevalSome Margin Notes on “PITCH”A Performance Lecture on Vocal Intonation
- Anna Bromley, Caterina GobbiListening NearbyConversation between Anna Bromley and Caterina Gobbi
- Luïza Luz, Johanna HardtMusic for Wild AngelsConversation between Luïza Luz and Johanna Hardt
- Amina Abbas-Nazari, High PitchHow Voice is Seen by AIConversation with Amina Abbas-Nazari
- Jessica FeldmanWhat Happens to the Speaking Subject When the Listener is a Computer?Affective Computing of the Speaking Voice
- Esther Ferrer, Elena BisernaI’ll Tell You About My LifeA Score by Esther Ferrer
- Giulia ZompaTalk ShopHanne Lippard at Settantaventidue in Milan
- Samuel HertzOn Hearing Voices Yara Mekawei & Saadet Türköz / Eldar Tagi at CTM Festival 2025
Esther Ferrer, “Autoportrait dans le temps - 1981-2019” - (Détaille: 2019-1981)Each High Pitch Magazine issue features a score selected by curator and researcher Elena Biserna. For this issue, Biserna has chosen a score by visual and performance artist Esther Ferrer.
Esther Ferrer (she/her) is a visual and performance artist.
Elena Biserna (she/her) is an independent curator and researcher based in Marseille.
- Giovanna ManzottiAndante Con MotoLiliana Moro at PAC Padiglione d’Arte Contemporanea in Milan
- Ramona PonziniThe Sound of WaterYuko Mohri and the Reconfiguration of Liquidity in “Compose”
- Johanna HardtThe Machine MonologsEli Cortiñas at Fotografiska in Berlin
- Nina Sun Eidsheim“It’s Intimate, and It’s Not Mine…”Talking About Sound with Camille Norment
- Bernardo Follini, Diana AnselmoAudism and the Origins of CinemaConversation between Bernardo Follini and Diana Anselmo
- Alex Borkowski Vocal Aesthetics, AI ImaginariesReconfiguring Smart Interfaces
- Giulia DevalSome Margin Notes on “PITCH”A Performance Lecture on Vocal Intonation
- Anna Bromley, Caterina GobbiListening NearbyConversation between Anna Bromley and Caterina Gobbi
- Luïza Luz, Johanna HardtMusic for Wild AngelsConversation between Luïza Luz and Johanna Hardt
- Amina Abbas-Nazari, High PitchHow Voice is Seen by AIConversation with Amina Abbas-Nazari
- Jessica FeldmanWhat Happens to the Speaking Subject When the Listener is a Computer?Affective Computing of the Speaking Voice
- Esther Ferrer, Elena BisernaI’ll Tell You About My LifeA Score by Esther Ferrer
- Giulia ZompaTalk ShopHanne Lippard at Settantaventidue in Milan
- Samuel HertzOn Hearing Voices Yara Mekawei & Saadet Türköz / Eldar Tagi at CTM Festival 2025
