
Quarry of Sound
Bobby Jewell 05.12.2025post
Sounding the Maltese Archipelago Frequencies
Melanie Garland 05.12.2025post

Attunement as Method
Julia E Dyck & Amanda Harvey 05.12.2025post

Turbid Listening
Kosmas Phan Ðinh 05.12.2025post

Untitling
Chloe Alexandra Thompson 05.12.2025post

We Hum Together to Re-Member
Emily Sarsam 05.12.2025post

Listening to Soundscapes Otherwise: Infrastructures as Environmental SoundRadio Otherwise
Radio Otherwise 05.12.2025post

An Asymptotic Encounter with Nyami Nyami
Masimba Hwati 05.12.2025post

Listening as NarrativeRamona Ponzini’s Environmental Storytelling
Lisa Andreani 05.12.2025post

Aisles of MimeticaTracing the Role of Acoustic Mimicry Across Species and Systems
Amias Hanley 05.12.2025post

I Build My Language with RocksIslands Unearthing Lithoaurality
~pes 05.12.2025post

Treeling ArbolitoA score by Ximena Alarcón
Ximena Alarcón , Elena Biserna 05.12.2025score

Editorial—Issue 02In the Midst of Echoes: Essays on the Turbulences of Listening
Samuel Hertz 05.12.2025post

Vocal Aesthetics, AI ImaginariesReconfiguring Smart Interfaces
Alex Borkowski 29.10.2024post
What Happens to the Speaking Subject When the Listener is a Computer?Affective Computing of the Speaking Voice
Jessica Feldman 29.10.2024post

Some Margin Notes on “PITCH”A Performance Lecture on Vocal Intonation
Giulia Deval 29.10.2024post

I’ll Tell You About My LifeA Score by Esther Ferrer
Esther Ferrer , Elena Biserna 29.10.2024score

“It’s Intimate, and It’s Not Mine…”Talking About Sound with Camille Norment
Nina Sun Eidsheim 29.10.2024post


















